‏إظهار الرسائل ذات التسميات tahrir. إظهار كافة الرسائل
‏إظهار الرسائل ذات التسميات tahrir. إظهار كافة الرسائل

1/26/2016

In age of #ISIS, will you lose web freedoms of #ArabSpring #Egypt #25jan


The 5 Year`s Anniversary of Egypt’s Revolution 


"If you want to liberate a society, just give them the Internet,"


Fast forward five years to today: Many Egyptian revolutionaries are in jail, and in many ways, our romance with social media and revolution has soured. The Internet remains a powerful tool for people fighting for social justice and human rights around the world, but we've witnessed the extent to which it also can be powerful in the hands of dictators and terrorists.
With headlines swirling about the Islamic State's use of social media to recruit people from across the globe -- sometimes mobilizing them to kill on ISIS' behalf -- we're left with a challenge: How do we in the democratic world prevent terrorists from capitalizing on the Internet without compromising our own freedom?
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The victims will include many law-abiding peaceful people who have every right to express themselves but whose activities happen to be unpopular, misunderstood or offensive to powerful institutions.
This will be excellent news for regimes in Egypt, Turkey and elsewhere that already use broadly worded anti-terror laws to jail journalists and activists. Social media's power as a tool for journalists hoping to expose injustice and for activists trying to build movements will corrode.
The Arab Spring may have failed in most countries. But if the rights of social media users are not protected and respected, the next movement could be deleted before the world ever learns about it.






2/01/2015

#Egypt’s flag rises 20 meters high in #Tahrir Square

Egypt’s flag rises 20 meters high in Tahrir Square!!!






1/30/2015

#ShaimaElSabbagh HOW SHE KILLED BY EGYPTION POLICE ! #egypt

Cameras caught the last moments of Leftist activist Shaimaa El-Sabagh today in Downtown after she was shot down while security forces dispersed a rally to Commemorate 25 January revolution in Cairo








A recent handout picture made available by the family on January 24, 2015 shows Egyptian Shaima al-Sabbagh posing at her home in the costal city of Alexandria. AFP/Family



Shaima al-Sabbagh: Heartbreaking picture shows moments of panic after leading Egyptian female protester dies after being 'shot by police'


http://www.mirror.co.uk/news/world-news/shaima-al-sabbagh-heartbreaking-picture-shows-5039047







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UPDATA 23/3/2015

nytimes

Egyptian Official Says Protester, Shaimaa el-Sabbagh, Died in Shooting Because She Was Too Thin




CAIRO — A poet and activist hit with a blast of birdshot from a police shotgun during a march to lay flowers in Tahrir Square in Cairo died because she was too thin, a spokesman for Egypt’s medical examiner said late Saturday.

The poet and activist, Shaimaa el-Sabbagh, was killed on Jan. 24, a day before the anniversary of Egypt’s Arab Spring revolt in 2011. Before the marchers could reach Tahrir Square, riot police officers blasted them with tear gas and birdshot at close range as photographers and cameramen watched. Their haunting images of Ms. Sabbagh dying in the arms of another marcher have made her a symbol of the epidemic of police abuse.

On Saturday, though, the spokesman for the Medical Forensics Authority said in a television interview that Ms. Sabbagh, 31, would not have died had she not been so slender.

“Shaimaa el-Sabbagh, according to science, should not have died,” the spokesman, Hisham Abdel Hamid, said, calling it “a very rare case.”

“Her body was like skin over bone, as they say,” he said. “She was very thin. She did not have any percentage of fat. So the small pellets penetrated very easily, and four or five out of all the pellets that penetrated her body — these four or five pellets were able to penetrate her heart and lungs, and these are the ones that caused her death.”

A chubbier person would have survived with only minor injuries, Mr. Abdel Hamid argued, noting that a man standing next to her was hit in the neck but nonetheless lived.

“Under his skin, he had layers of fat and I don’t know what else that were a bit thick, so he wasn’t penetrated,” Mr. Abdel Hamid said. “Praise the Lord, it was her time.”

He said that most of the pellets were concentrated in a 20-inch-wide area of her back but that two others hit the left side of her face. The blasts appeared to have been fired from a distance of about eight yards, he said.

Rights groups scoffed at the focus on Ms. Sabbagh’s weight. “These sorts of ridiculous claims just add a thick layer of absurdity to the government’s endless record of killings and impunity,” said Sarah Leah Whitson of Human Rights Watch.

The images of Ms. Sabbagh’s killing resonated so widely that President Abdel Fattah el-Sisi called for an investigation. Public prosecutors said recently that they had referred an unnamed police officer to trial on charges of battery leading to death — a form of manslaughter.

Prosecutors also said they were charging Ms. Sabbagh’s fellow marchers with participating in an unauthorized demonstration under strict restrictions on street protests passed after the military takeover here in 2013. Both crimes carry similar penalties of up to several years in prison.

1/25/2015

#EGYPT NEW Revolution #25jan 2015 #UPDATE

#EGYPT NEW Revolution #25jan 2015 #UPDATE






  1. From all the photos reportedly taken on the scene of the shooting in Talaat Harb square, a mix is visible of police, high ranking officers and masked men from special security forces, which are now a common sight at protests. Theirs are also the only visible weapons. Later, the circumstance of Shaimaa being hit was placed in the usual dynamic of police shooting birdshots or live rounds while dispersing protesters. This doesn't agree with the hypothesis of a random, "infiltrated" shooter, or an MB affiliate, as argued by Ministry of Interiors in their first version.











#سندس_رضا
LIVE FORM TAHRIR EGYPT





#UPDATE

 Whatever Happened To The Egyptian Revolution?








12/11/2014

Minha Husaini Girl form #Egypt work as tea boy! #women

Minha Husaini she girl 22 old i think,she finish her study in Tourism and because no security now work for must of egyptian people .

she  shift her hair to can deal with guys in st, and Most of the time, sexual harassment, and she go to work in tahrir Sq !!! in down town  ,,,, its dangers place , but she go bur the police come after her
and they asked her to give then money to let her work ;)









2/21/2014

'The Square' Film On Egypt's Revolution Will Not Be Shown In #Egypt #Tahrir #25jan

There’s a lot anyone can learn from Jehane Noujaim’s Oscar-nominated documentary “The Square,” an examination of the 18-day uprising that toppled President Hosni Mubarak.




But Egyptians may be least able to benefit from its lessons. So far, the film has not been approved for screening here.
On the third anniversary of Mubarak’s ouster, which falls on Tuesday (Feb. 11), Egypt is more polarized than ever, largely between those who are sympathetic to the Muslim Brotherhood and those who support the military. The film is a reminder of what Egyptians share, regardless of religious or political beliefs.
“The Square” depicts the uprising through the eyes of six revolutionaries who lived in Tahrir Square during those historic weeks and follows them as Egyptians struggled to redefine themselves. Mubarak’s ouster ushered in a tumultuous period that saw clashes with the military, the rise of the Muslim Brotherhood, the return to the streets to demand the deposal of the Muslim Brotherhood’s President Mohammed Morsi, and the sit-ins that followed Morsi’s overthrow by the army.
The film, available to American audiences on Netflix and in theaters, ends with the clearing of the Morsi supporters’ encampment, which resulted in nearly 1,000 deaths. Since then, the Brotherhood has been outlawed and people have been arrested for simply possessing Brotherhood materials, now a crime.
Noujaim, 39, is an accomplished documentarian and TED Prize winner whose credits include “Startup.com” and “Control Room,” a film about the Al-Jazeera network. “The Square,” though, is not a film that intends to accurately and journalistically represent all factions. Noujaim, an Egyptian-American who spent much of her childhood in Egypt, lived on Tahrir Square with her characters during the revolution. In many ways, she is one of them, and “The Square” is her contribution to the revolution.
The film depicts those historic events from the revolutionary’s point of view. There were hundreds of thousands of people in the square; Noujaim chose to follow the ones she was intrigued by, trusting that viewers would do the same.
Two of the most captivating characters are Ahmed Hassan, a young street revolutionary, and Magdy Ashour, a member of the Muslim Brotherhood and a father of four who, under Mubarak, was imprisoned and tortured. Despite their differing backgrounds and perspectives, the two become fast friends, and the exchanges between them provide some of the film’s most compelling moments.
Through Ashour viewers get a nuanced view of the Brotherhood and its army of foot soldiers, a stark contrast to the heavy-handed, black-and-white demonization of them in Egyptian media of late. Ashour had been a loyal member of the Brotherhood for decades, attracted to its religiosity and benefiting from its financial support. After it seized power, he began to question some of its decisions, which left him conflicted.
When Morsi was first elected, many Egyptians opted for Muslim rule. But that feeling didn’t last long. Only 150 days into his presidency, Morsi made a power grab that gave him even more authority than Mubarak.
The revolutionaries were upset with his autocratic maneuvers and with the new constitution that the Islamist-dominated parliament drafted, which they considered a betrayal of the ideals they had fought for. Noujaim said she spoke to many ordinary Egyptians during that time — many of them practicing Muslims — who were “deeply disturbed” that the ruling party was now determining who constituted a good Muslim.
Ashour is visibly torn in the film between the revolutionaries, whose principles he, too, had stood for, and the Brotherhood. He found himself increasingly at odds with Hassan and his other friends from the square.
“If there were an alternative, I wouldn’t want Morsi,” he says at one point in the film. “We’re afraid that if Morsi falls we’ll be taken back to prisons,” Ashour said.
One of the film’s most poignant moments comes a short time later when British-Egyptian actor Khalid Abdalla sits with Ashour and his son and shows them video of Muslim Brotherhood members attacking protesters outside the presidential palace, some of the very same people who had been in Tahrir with Ashour.
Ashour’s son had gone to the presidential palace that day, and was on the side of the Brotherhood throwing rocks at their opponents. Ashour looks mournful, and chastises his son for his actions: “You have to stand as an individual,” Ashour tells the boy. “You have to think for yourself.”
It is Ashour and his conflict that resonated most strongly with some of the film’s most conservative and religious audiences in the United States.
When Noujaim took the film to Sundance, some of the screenings were in downtown Salt Lake City and attended by Mormons and ex-Mormons. They, as well as evangelicals, came up to the filmmakers after showings and said that, despite initially thinking they had the least in common with Ashour, it was he whom they related to the most. They identified with his deep faith, his trust in the fledgling government, and his ultimate disillusionment. Those feelings transcended culture and creed.
“We are all confused sometimes, and we question our beliefs,” Noujaim said.
Once Morsi was overthrown and the Brotherhood was again the victim of state oppression, that changed.
“Once they were persecuted, Ashour was immediately back on their side,” she said.
His rueful words all those months ago now seem prescient. Authorities recently raided his house, and he is reportedly in hiding.
Noujaim said she is not one of those filmmakers who believes her work can change the world. Perhaps, though, it can make a difference in what’s happening in Egypt today. Noujaim, who is currently in the U.S., hopes to be able to bring the movie to Egypt.
But “The Square” has already thawed some icy relations in the places it’s been shown. Noujaim said she spoke to an Egyptian woman in the United States who had seen “The Square” on Netflix, and decided to bring her family to a screening.
Like many other Egyptian families, they were so divided over events that relatives weren’t talking to one another. Seeing the film together enabled them to find enough understanding for one another’s viewpoints to enable them to begin to communicate once again, the woman told Noujaim.
And therein lies perhaps the most salient lesson of the film, particularly for Egyptians.
“We are all human beings,” Noujaim said. “Reminding ourselves of our humanity is a very simple idea, but I think it couldn’t be more important right now.”